Sad to get a letter saying that FluteTalk Magazine was not taking renewals for it’s magazine and evaluating it’s future. I truly loved getting the colorful magazine in my mail box ever month.
Please go check them out online!
There is a lot of development using various powerful, low-cost sensors, computers, etc, to augment a musical performance. The idea of taking brain waves and maybe having it start triggering something is very interesting.
I was going to put this on Musescore, but seems you need a PRO account to do anything over like 4 scores on there. Anyone want to gift me with a PRO account? In the meantime, here is the PDF of the Mandalorian Theme from the new Star Wars TV show.
The Mandalorian Theme for Flute (125.7 KiB, 30 hits)
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“Technology is changing the very nature of not just music consumption but how music is written and produced. People need to know that they’re being both manipulated by music technology and missing out on a full music experience. Alan Cross shares the subtleties of today’s music delivery systems and questions what it means for the future of music.”
John Williams is a living national (world) treasure.
From intellectualtakeout.org, this article was very very good.
“Throughout grade school and high school, I was fortunate to participate in quality music programs. Our high school had a top Illinois state jazz band; I also participated in symphonic band, which gave me a greater appreciation for classical music. It wasn’t enough to just read music. You would need to sight read, meaning you are given a difficult composition to play cold, without any prior practice. Sight reading would quickly reveal how fine-tuned playing “chops” really were. In college I continued in a jazz band and also took a music theory class. The experience gave me the ability to visualize music (If you play by ear only, you will never have that same depth of understanding music construct.)”
Good stuff. I’ve had a couple of student who have similar flutes. They are FINE for a starting flute player.
Engineers, hackers, and makers can most certainly build a musical gadget of some kind. They’ll build synths, they’ll build aerophones, and they’ll take the idea of mercury delay line memory, two hydrophones, and a really long tube filled with water to build the most absurd delay in existence. One thing they can’t seem to do is build a woodwind MIDI controller. That’s where [J.M.] comes in. He’s created the Open Woodwind Project as an open and extensible interface that can play sax and clarinet while connected to a computer.
One of the coolest things I’ve seen in a while. Believe it grew out of this project. Can’t wait to see what is created with this.
One of the most representative ensembles of Chinese traditional music engaged in cultural exchange today is the Chinese Bamboo Flute Orchestra (中国竹笛乐团). The group was founded by one of the leading performers on the bamboo flutes dizi (笛子) and xiao (箫), Zhang Weiliang (张维良). In its five years of existence, the orchestra’s work has been substantial. It has commissioned and promoted the music of living composers. It has used modern technology to innovate the design and subsequent construction of new dizi. It has also increased competency of Chinese musicians in playing in non-traditional ensemble settings. And, finally, in addition to protecting and innovating Chinese traditional music, the orchestra has raised the profile of Chinese music internationally.
I have two Dizi flutes. They are very fun to play, and in the proper hands, a Dizi is an amazing instrument.
Awesome stuff….now I want to learn how to play this….